Fuji F-250

• Fine grain & pronounced colors
• Older material with a beautiful look
• Films that were shot on this material: Requiem for a Dream, Harold & Kumar Go to White Castle

Fuji Super F-250 is characterized by fine grain and rich colors with a certain character. Furthermore, the film can be easily post-processed and adapted to your own taste. When overexposed, the film produces beautiful pastel tones.

The Fuji Super-F series followed the F line up and improved sharpness, grain and dynamic range in particular. Fuji released the line up in 1999 and ended production in 2013 at the latest, when all cine film was discontinued. The film is comparable to Kodak Vision 200T and later Vision2 100T.

Since this is Fujifilm, it is highly recommended to develop the film in ECN-2, where the colors are pronounced and realistic, while the film gets an experimental look in C-41. In midday sun or very cool light, an 85B filter is recommended, as the film otherwise tends to have a blue cast. This can be corrected to a limited extent in post-processing.

Motion picture film: This film has a remjet layer, so it can’t be dropped of at a normal lab, because that would damage their processing machine! There are numerous specialized labs that develop this film, a List can be found here. Alternatively, developing at home is not complicated, a guide can be found here.

Age: This film dates from approx. 2006 and therefore has a lower ISO than the manufacturer’s specification, as film loses sensitivity (ISO) with age. We therefore determine the True ISO (see below in the properties), with which the film is correctly exposed.